![]() To understand why we need to know the difference between a send and an insert. This is, almost always, regarded as a big no-no. Many beginners don’t know where to put the reverb when they’re mixing, and they usually end up inserting it after their compressor or EQ. ![]() Reverb can be pretty confusing sometimes. ![]() Especially when it comes to using reverb and other time-based effects. There’s a similar mistake made with sends and inserts. Using Reverb and other Time-Based Effects as Inserts Grouping and routing is all about creating an easier mixing experience.ĭon’t be counter-productive and make it harder on you or your DAW. Now you have the same mix of backing vocals but you’ll have an easier time using the group fader. Of course, you should mix the volume of the individual tracks themselves so that they blend together.īut make the loudest one the one at 0.0 dB instead of mixing them together at such a level that makes you max out the aux bus. Keep the actual channels loud to give yourself more flexibility at the group level. You’ll often increase the aux bus above unity gain, which is completely unnecessary if you just follow simple gain staging. Because if all your tracks are coming into the sub-bus super quiet, you’re forced to push the aux bus really hard to get some volume. When your route your tracks to a subgroup make sure that the tracks are loud enough. Gain Staging With SendsĪnd by leaving the faders pretty low it gives the master fader some room to breathe. Route your tracks if you want to change a group of instruments, but use sends if you just want to add parallel processing alongside the original.īut there’s more to it than that. You will only be left with more of the same, and any processing you do to the sent track will not affect the original. If you want to send the original somewhere else, to an aux bus like I mentioned before for example, you have to route the outputs of the original to an auxiliary bus.ĭon’t send a signal to a bus if you want to change it completely. What you do to the copy doesn’t affect the original at all! Now you have the original on the same track, but you also have a copy playing in your aux track. Many engineers don’t realize that by sending tracks you are still left with the original track. I sent all my tracks to an aux channel, added some EQ and compression and then wondered why my filters weren’t clearing up the low-end and my compressors weren’t taming my dynamics?īecause sending isn’t the same as routing. All the way back when I was just starting to mix, I used to do this really simple mistake.
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